Only gifs will suffice.
EDIT: I totally forgot to finish this review. Oh well, better late than never! Sorry if it’s kind of weak, though. This movie is out of my system now that I sit down to finish.
John Wick was a movie that I was pleasantly surprised by. However, I underestimated the pop culture impact it would have. I am super glad that it has also changed peoples’ minds about Keanu Reeves, who I’ve always liked, since this a movie that he’s so inextricable to that you couldn’t have one without the other. There are sly jokes about his career in both movies (including small roles and cameos for actors he has worked with in the past, in his most iconic roles) and it shows a bit of awareness that Reeves has consistently been an actor underestimated and underappreciated. For a long time, the most common grudging compliment was that at least Neo (The Matrix) was a role no one else could have played quite the same way, but I think that may be even more true of John Wick. When I talk about how inextricable this character is to Reeves, a good example would be his reputation as an actor that works hard, is incredibly focused, thoughtful, and committed. Who else does that sound like?
Anyway. John Wick was not a movie that demanded a sequel, but I’m glad it got one. One of the most surprising parts of that movie was the way it subtly hinted at its alternate world, lurking just in the shadows. It’s a world of stringent and ritualized codes of behavior governing the top echelons of global crime and the chess pieces that move within their world. The hints of this world, from the gold coins to the “neutral ground” of the Continental Hotel, were tantalizing and gave the movie something special. If anything, it’s the world more than the character that needed its story to continue. Though I’m sure it was tempting to blow the doors off for Chapter 2, writer Derek Kolstad and director Chad Strehelski wisely maintain the now-signature restraint and focus that reflects their anti-hero. Good stories are often fractals and it’s clear now that this is the way these guys are constructing one of the most exciting original cinematic franchises to come along in recent memory.
Chapter 2 doesn’t so much attempt to “top” the first one as refine it. This movie had a bigger budget, more locations, and a wider scope on the shadowy world Wick walks in and out of. What I think is most interesting about it, though, is that it doesn’t try to repeat the emotional beats of the first movie more than to remind us of Wick’s core motivations. Instead, it focuses on the stark philosophical ethos of Wick’s world and its globalized reach, with ornate parties and larger-than-life tribes, families, agents, and powers. It’s like a fucking vampire movie, really. And that isn’t to say that it’s got any explicitly supernatural elements, just that the tropes involving the power structure of its world are very reminiscent of vampire fiction in which ancient customs govern the affairs of equally ancient clans as they rule the world from the shadows. It seems that Kolstad and Strehelski really know what they are doing in terms of deliberately pacing their exploration of that world, keeping John Wick central at almost all times so that we experience the world as he does, as if we’re not strangers but have catching up to do. This shows that we’re in good hands as Chapter 2 ends with a major shift in their world and more tantalizing hints of what’s to come. Read the rest of this entry »