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Oh look, a trainwreck.
Let’s just get this out of the way really quick: Suicide Squad is mostly dogshit but there are a few moments where it firmly enters genuine “so bad it’s good” territory and other moments where it’s trying so goddamn hard to manipulate you into feeling something that you just wanna say “good job, little guy” and give it a pat on the head. There’s even a few moments that feel earned, where the glimmer of a better movie is almost visible. But mostly it’s dogshit.
Why? God, where do I even start. It’s a music video of loosely connected moments, an insultingly hackneyed plot, and poorly constructed characterizations which are usually good for a laugh or an incredulous “what the fuck?” but rarely more. There’s also that it’s the most smugly, overtly misogynistic mainstream movie I’ve seen in a long time. May our inner fourteen year olds cheer. I mean, there’s definitely an audience for this. The anti-PC crowd will eat up every utterance of “bitch” or “ho”, every sexed up costume and variation on “women be crazy“. I already know from the audience I saw it with that women getting punched in the face at the drop of a dime is just delightful. Your faith in humanity will not be well served by Suicide Squad audiences, but that’s nothing unusual. More than the overall quality of the movie, I was surprised by the misogyny. I like David Ayer. Fury, End of Watch, and Training Day are all fantastic films. But his aesthetic is “street” and here it is the kind of street evoked by youtube gangsta rappers who are trying too hard. Likely, this is where the unaddressed misogyny comes from: it’s part of the assumed iconography of “street” culture where there’s men and there’s bitches or hos or bitch-hos. I think the script of Suicide Squad says a lot about what he and the other creatives for the DC movieverse think about the fans of these stories and characters, though. I think instead of whining to critics (or threatening them) or trying to sue because Joker isn’t in the movie enough, these fanboys ought to vote with their dollars (and their attention) and give WB a reason to stop hiring people who think so little of them. Of all of us, really.
Anyway, yeah, Suicide Squad is really bad. Is it worse than Batman vs. Superman? I don’t know. Do you compare dogshit to catshit very often? They’re two of the worst superhero movies in recent memory, I can tell you that much. And yet. And yet, Suicide Squad is also a fascinating watch. I was never bored. Very much like the first viewing of a Michael Bay Transformers movie, I was kind of transfixed (and yes, entertained) by what I was seeing and hearing. Sometimes I could not believe the movie and other times I was almost on the hook for a heroic moment or a badass line. I think it’s fair to say I was never “with” this movie, and my enjoyment was almost always at its expense. This movie might have had something, but it’s like watching Jared Leto play hot potato with himself for almost two hours. Or like an episode of The Venture Brothers that wasn’t trying to be a parody. Read the rest of this entry »
Thor is still ultimately about these two fellas.
A little over two years ago, I wrote a positive review for Thor fueled mostly by very pleasant surprise that they dared so much, let alone accomplished anything by it. Thor is probably one of the weaker stand-alone Marvel Cinematic Universe (MCU) films, but it was elevated by one of the better casts and a functional emotional story of a type for which I have a confirmed soft spot. What held it back was its smallness, its breeziness, and a certain lack of conviction that kept it from fully owning its cosmic scale.
Thor: The Dark World succeeds its predecessor in every way it faltered. Not only a bigger and better film in terms of spectacle, it maintains the emotional narrative and strong sense of familial drama that drove the first film and has helped make Loki (Tom Hiddleston) the best Marvel villain and one of the greatest film baddies of this era. Rather than breaking from its lesser roots, The Dark World returns to them and builds on them, crafting a science-fiction fantasy film that is the envy of all other science fiction fantasy films (though there aren’t many of them) since probably the last good Star Wars. It is so audaciously, apologetically a movie of ridiculously huge ideas and creatures and characters, that anyone who grew up on Final Fantasy and Masters of the Universe, let alone the comics, will feel like it was made for them.
There’s also that it’s one of the funniest, funnest movies of 2013. Thor: The Dark World in no way felt like a movie that should be as out-and-out entertaining as it is, going in, but I laughed my ass off. It may even be funnier than The Avengers. One might have fairly expected a greater degree of verisimilitude with Alan Taylor directing (he did a lot with limited resources on Game of Thrones) but I don’t know that anyone expected him to have such a sharp ear for the comedic inside the dramatic, or the cosmic. I would not have envied the job of trying to make some of the stuff in The Dark World work on the straight, let alone trying to make it amusing without undermining it. Here, that is the accomplishment. It also paves the way for the crazier, bigger world of the MCU’s next phase of development, a world wherein we’ll be connecting the grounded (ish) realities of the Phase 1 films and The Avengers with things like talking trees, Space Jim Jarmusch, and fucking Rocket Raccoon. Because yes, sportsfans, part of Thor: The Dark World‘s purpose is to prepare audiences for that big step upward and outward, to a place where we can receive Guardians of the Galaxy with only the good kind of head-scratching.
The Marvel films make it an exciting time for moviegoers and superhero fans. Thor: The Dark World makes it an exciting time for fantasy fans, and even the ones who don’t care about Thor or Marvel should really give this a look.