You are currently browsing the tag archive for the ‘Baby Driver’ tag.

EDIT: Here’s a recorded version with blurbs for each of the movies and some of the extra shit I usually say when I do one of these:

https://soundcloud.com/evan-mccoy/top15recording

Hopefully I never have to do that again, because:

Fucking WordPress ate the four hours of work I put into this. I’m disgusted because there’s no fucking reason why hitting “publish” should publish a post but with no text in it, which is exactly what happened. Maybe I should switch platforms. So anyway, here’s a way truncated version:

15. Wonder Woman
14. Baby Driver
13. War for the Planet of the Apes
12. Dunkirk
11. Thor: Ragnarok
10. Star Wars: The Last Jedi
9. John Wick: Chapter 2
8. A Ghost Story
7. The Killing of a Sacred Deer
6. GotG Vol 2
5. It
4. Blade Runner 2049
3. Get Out
2. Mother!
1. Three Billboards outside Ebbing Missouri

Honorable Mentions:

Super Dark Times
Creep 2
Wheelman
Okja
The Big Sick
I, Tonya
The Lego Batman Movie
The Little Hours
Ingrid Goes West
Marjorie Prime
Gerald’s Game
Wind River
Brigsby Bear
T2: Trainspotting
The Lost City of Z
Free Fire
Colossal
Logan Lucky
Kong: Skull Island
The Bad Batch
Spiderman: Homecoming
The Girl with All the Gifts
The Florida Project
Logan
The Void
Dave Made a Maze

Movies I Didn’t See:

Coco
Phantom Thread
The Post
The Beguiled
The Shape of Water
Molly’s Game
Murder on the Orient Express
Darkest Hour
Downsizing
Professor Marston and the Wonder Women
All the Money in the World
Call me by Your Name
The Foreigner
Song to Song
Wakefield
Detroit
Good Time
Stronger
Battle of the Sexes
Happy Death Day
Mudbound
The Hero
Roman J Israel, Esq.
Hostiles
Personal Shopper
Jungle
Loving Vincent
The Square

 

 

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Rhythm is what ties everything in this movie together. Rhythm defines Edgar Wright’s style.

Edgar Wright had a disappointing couple of years, I think. Getting over all that work he put into Ant-Man must have been rough but I’m so glad it meant that this movie, which Wright first developed in the 90’s, got to exist. As pointed out elsewhere, Wright might have a little Marvel still stuck in his teeth but ultimately I think everybody is going to agree that he hasn’t lost a step. Baby Driver is full of the inventive filmmaking and action he’s known for while also being vastly different from his other movies.

What most people are saying about Baby Driver is how fun and entertaining it is. I’ll echo that while also adding that it’s a surprisingly dark and consequence-laden movie. Wright has always been deft with tonal shifts and messing with genre conventions and while Baby Driver does balance a light-hearted romantic tone with some heavier elements, it’s actually kind of refreshingly straightforward when it comes to its genre. Wright has made his version of a Michael Mann film in a film where every character thinks they are in their own movie. Wright’s genius here is that he’s making all those movies by referencing, recycling, nodding, and reinventing parts of them.

I think Baby Driver is destined to be a crowd-pleaser. There’s too much to like about it and it’s kind of universally appealing, I think. Part of that is the really joyous way it uses music, and part of it is just that everybody loves a crime movie. If there are any complaints to be made, they’ll probably arise from the nuts and bolts mechanics of the story and its somewhat misleading structure. The last act will not fully work for everyone, but I think it’s not going to really damage anyone’s enjoyment of the movie overall. I’ll talk about these issues later, but I really think they are likely to end up being footnotes on a masterpiece.

SPOILERS RACING BY!

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