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wonderwomantrailer213-470x310@2x

Is she with you?

Wonder Woman is good. Like, Marvel Phase 1 good. In fact, it owes such a massive debt to both Captain America: The First Avenger and Thor that the weird and often toxic fandom around DCEU and their obsession with being “better than the MCU” is even more ironic than usual. However, forgetting about those kinds of people as they so richly deserve leaves the question as to whether it should count against this movie that its creative team bothered to finally learn something from their wildly more consistent and successful counterparts at Marvel. I don’t think so. I think good superhero movies with actual shit to say is a tide that raises all the ships. I have given this current generation of DC superhero movies a lot of shit, we all have, but most of us still want them to be good.

And with Wonder Woman, there’s a glimmer of hope that they can be. People are looking for a fluke reason why Wonder Woman is good, like this success couldn’t be replicated without secret handshakes and spinning around in place an arbitrary number of times before sitting down to write the script or pick up a camera or whatever. It’s nonsense. This movie is good because it gives a shit and the people who made it give a shit. They aren’t embarrassed or cynical about this being a sincere story about heroism. They lean into it. On top of that, it’s probably one of the most if not the most culturally significant superhero movies there is. It’s embarrassing at this point, 10 years into the era of shared superhero universes, that we’re only now getting Wonder Woman. I will talk about Wonder Woman‘s feminism and its impact (including some similar ideas), but I also want to point my readers to a great piece by BMD’s Meredith Borders, who offers a nerdy woman’s perspective on the significance of this movie.

That all said, there are definite imbalances and flaws in the movie. I’ll talk about them below, but by and large this movie stands up well against the MCU, or I should probably say alongside it? Honestly, I don’t think many people would be able to make a meaningful distinction between MCU and DCEU properties using Wonder Woman as a basis. And I think that’s okay, but it may disappoint DCEU fans who are looking for something more distinguishing besides just beating Marvel to the punch on having a movie focused on a woman. Wonder Woman focuses on what works best for these kinds of movies: character, humor, symbolism, and heroism.

SPOILERS AHEAD Read the rest of this entry »

fast-furious-6-cast

The word is family.

Something to get out of the way: this series has no naming convention, with each entry reinventing the titling to such a point that I’ll just refer to them with the word “Fast” and numerically by order of release. This will hopefully be a lot less confusing for everybody!

Every Fast and Furious movie echoes a specific movie. With the sixth entry of what has become one of the best original cinematic franchises out there, that movie is The Avengers. It turns out that it’s not only superhero movies that now exist in a post-Avengers world. One of the things I’ve always liked about the Fast series is that it’s been made by filmmakers who dearly love movies. Cohen, Singleton, and then the long (but now complete) run Justin Lin had all have that in common. Though not as much a love letter to The Avengers as the first one was to Point Break, the signs of Lin’s, and writer Chris Morgan’s, appreciation for the most recent blockbuster game-changer is a prevalent and noticeable ingredient in their superhero team-up movie.

We’ve watched all these characters, and the actors who play them, grow up with the franchise. Each Fast movie is, if not better, more self-assured than the last. The commitment to continuity and the themes of its ridiculous universe has always been a major strong suit for the series. It’s surprising every time, especially rewatching the whole shebang, at just how well this thing supports itself.

In Fast 6, everything that makes the series what it is has been dialed up to eleven. Lin is going out with a bang and here proven himself to be one of the highest potential action directors out there. For all that Fast 6 contains the familiar humor, themes of family and redemption, and ridiculous sense of its world, the place where this movie really outdoes itself is in the action. While this has always been an action series, Fast 6 is the first one that features not just one or two great or iconic moments but a dozen of them. Just as the heroics echo The Avengers, the action feels like Lin picking up elements he loves from other movies and floating them through the world of Fast. It shouldn’t work as well as it does, but somehow the Bourne-style fisticuffs and Michael Mann gunfights (this is one of the rare movies with loud, realistic gun SFX) are less welded on and more breathed in. The confidence with which Lin includes these touches is breathtaking and makes you completely believe in the action, which in turn ripples through everything else in the movie no matter how ridiculous. Read the rest of this entry »

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