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The cosmic imagery in this movie is as good and as grounded as any yet done.

Interstellar is a film I probably shouldn’t be reviewing yet. Being three hours long and a Nolan film, there’s a lot to unpack here. Maybe not as much as some had hoped, and certainly it doesn’t feel insurmountable now that I think on it, but definitely a lot all the same. People are already talking about how divisive and love-hate this movie is. I kind of get that. At the same time, I think it’s being overstated and collapsed into how much interest and baggage there is around Christopher Nolan himself. Interstellar is a very highly anticipated film and it’s difficult to imagine how it could have lived up to the general ephemera of expectation, let alone the more wary and critical attention of a person who goes into it with thoroughly managed expectations. In case it’s unclear, that’s me.

As mixed a bag (of mixed messages, haha!) as Interstellar is, it still deserves the utmost discussion and consideration. It’s the themes and execution of which that deserve all the attention and that, admirably, are causing most of the hullabaloo. Though Interstellar features more pure cinematic joy than most movies stacked on top of each other, meaning Nolan is really competing with himself and the ghost of Kubrick as always, it is also his least accomplished “original” (as in, not tied to Batman) film on various levels. There is a strange (narrative and technical) bumpiness to this movie that made me feel many times that I was watching something unpolished, something not fully bathed in the precise and cautious attention that made Inception Nolan’s singular masterpiece. Interstellar cannot hope to unseat Inception but when it’s on, it’s so fucking on that it’s uncomfortable to focus on the flaws and mixed messages that sort of undermine the full effect of the movie. But that’s how she goes, and a film that has interesting flaws is often just as interesting, if not more so, to review than one that goes off without a hitch or just falls flat on its face. However, it’s hard to stop thinking about how frustrating this movie’s mixed messages are once you’ve started down that path.

I will also say, before I really get into this, that my specific problems with Interstellar don’t really fall into the same overall lanes as most of the criticism I’ve been reading. If I had to sum it up I’d say this is a movie that falls short of the potential heights it frequently reaches. It’s a film where many sequences and moments transcend some of the nagging consistency issues that plague too much of it. It’s a film that ends somewhat disappointingly not because the message or manner are spoiled, but because the ending feels like it shies away from itself, afraid of being one of those misunderstood movies with an ending that overstays its welcome. And that really defines this movie. Interstellar is at odds with itself, frequently showing us something and then saying something else, bringing up ideas and themes and then abandoning them into a kind of half-explored stew.

But it’s still better than Prometheus. They should put that on the back of the bluray.

Spoilers aren’t impossible, they’re necessary.

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Batman and Bane are BFFs. Spoiler!

NO SERIOUSLY. I AM GOING TO SPOIL THIS MOVIE. IF YOU HAVEN’T SEEN IT YET (WHICH, WTF?) THEN STOP READING THIS NOW. Read the rest of this entry »

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