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lowlife_el_monstruo_-_h_2017

A strange mascot for a strange movie.

Lowlife is a couple years old now, but I missed it when it came out and was getting its share of buzz from some corners of the movie critic sphere. It’s a movie that I think is fairly off-putting at first but eventually becomes something not only interesting, but maybe overdue. See, after Grindhouse, it felt like there’d be a slew of films trying to capture some of that aesthetic and tone. I mean, there were some. Even some good ones, like┬áthe feature version of Hobo with a Shotgun. But they were rare and anyone hoping for a kind of revamping or update on the aesthetic has probably been mostly disappointed. Lowlife fulfills some of that exact potential.

One of the ways it does that is by playing against the shallow thrills and over the top cartoonishness that you’d expect from “this type” of movie. Even this movie itself, which invites you to think a lot less of it than it deserves. It pretend to be over the top when it’s really pretty grounded. It pretends its characters are cartoons when really they are well-drawn human beings. It’s pretty convincing about it, too. Like, I would forgive people who couldn’t quite follow the depth it eventually gains because it might seem kind of incongruous with the first third or so. That said, it’s exactly that depth which makes Lowlife a kick-ass movie. Read the rest of this entry »

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